The Impact Of Discrimination, Labelling And Stigma

This essay will demonstrate my understanding of the impact of discrimination, labelling and stigma has on mental health people in health and social care. It has been documented that there are certain people who are stigmatized and mental health people often have a negative stereotype (Nordt et al., 2006). This negativity will often deter the mental health individuals to seek the help and medical treatment that they need due to the fear of stigmatisation and labelling. Literature highlights that stigma, labelling and discrimination are linked together emphasizing and legitimizing each other (Wood and Anggleton 2010). Wood and Aggleton (2010) state that their indicators are diverse and they are happening in communities, families, in†¦show more content†¦There is a supposition that criminality is a social label beside with the establishment of law which are made by powerful individuals and applied on vulnerable people without power (Burke 2002). This include individuals with mental health illness and the implications with criminal justice adds to their life difficulties (Schulze, 2007). Studies have highlighted the significant complications faced by individuals with mental health issues who are involved in a criminal justice, such as challenges to access mental health facilities both through their imprisonment, when they are discharged and when entering into the community (Baillargeon et al., 2010; Sartorius, 2002 and Schulze, 2007). Moreover, the lack of mental health facilities for individuals involved in criminal justice has been widely documented (Nord et al., 2006; Sartorius, 2002; Schulze, 2007). Mallik et al., (2008) and Smith et al.,(2011) state that individuals with mental illness will find the transition to and from criminal justice settings very stressful and the services available in prisons are often inadequate and unpredictable. Indeed, the literature findings on lack of facilities for mental health individuals strengthen Burke’s (2002) view on the design of the justice system which suggests that the system penalizes individuals who are less dominant and less powerful members ofShow MoreRelatedSociological Research On Physical Disability1398 Words   |  6 PagesThe labelling theory are the actions of individuals who are labelled or seen as deviant. The theorist Becker suggests labelling theories which is to look beyond by just the norm-breaking act but instead focuses on how society view people who are deemed as deviant in this case physically disabled and reactions from society whether it is good or bad. Physical disability is when a person lost full or partial loss of their bodily functions. Labelling perspective is still relevant in our society and forRead MoreEffects On Psychological Health When Labelled With Chronic Illness1022 Words   |  5 PagesImpact on psychological health when labelled with chronic illness eg. stigma So my topic was how psychological health was affected when someone was labelled with a chronic illness. More specifically stigma associated with chronic illness and how it could impact Ivan due to his conditions. When someone is suffering or living with a chronic illness it can have a huge impact on them psychologically and socially. Chronic Illness is a condition that is prolonged in duration, usually more than 3 monthsRead MoreLabeling Of An Illness Or Disability From A Medical Professional1467 Words   |  6 PagesLabelling can occur by diagnosis of an illness or disability from a medical professional, to avoid labels The Diagnostic and Statistical Manual of Mental Disorders (DSM) is used. The DSM contains the symptoms of mental illness in order to ensure the correct diagnosis. Labels can also be applied to individuals that are considered different from others in the community by behaviour or personal qualities. To avoid this in psychological scientific writing The American Psychological Association (APA)Read MoreStigma And Labelling Within Healthcare2461 Words   |  10 PagesThe issue of stigma and labelling within healthcare is one in which a lot of discussion has occurred. Stigma in dicates a collection of usually negative attitudes, beliefs, thoughts and behaviours that may influence the way individuals see themselves or even the publics perception of them. This may cause the public to fear, reject, avoid and discriminate against the individual (Gary, 2005). To label an individual in society as different or deviant applies a stigma (Goffman, 1963) Labelling as a theoryRead MoreThe Stigma Of Mental Illness1599 Words   |  7 Pagesmisconceptions about mental illness known as â€Å"stigma†. Therefore, mental illness results not only in the difficulties arising from the symptoms of the disorder but also in the negative attitudes and beliefs that motivates the people to fear, reject, avoid and exclusion of people with mental illness. Some people with mental illness could lose self confidence, accept the prejudices and may also turn them against themselves. This is referred to as ‘self-stigma’, loosening the confidence of the person sufferingRe ad MoreMental Health Issues: What ´s Stigma? 3355 Words   |  13 PagesIntroduction The aim of this literature review is to examine stigma as an influential factor on help seeking behaviours for young adults with mental health issues. The terms stigma has been present and utilised first by the Greeks, who used the term to describe a marking which signified something unusual or corrupt about a person’s moral status (Goffman 1968, Davis 2006). It has been further modernised in Erving Goffman’s (1963) ‘’Stigma, Notes of the management of spoiled identity’’ but has largelyRead Moreessay of mental health stigma1806 Words   |  8 Pagesï » ¿INTRODUCTION Stigma can be expressed in various term, it can be a brand, labelling or identification. It is a differentiation of a person resulting to a boundary between â€Å"us† and â€Å"them† (Link and Phelan 2001). These affect consumers in a way they are discriminated and treated differently because they have mental illness. The effect of stigma can take away the rights of consumers who are suffering from mental illness causing social dilemmas (SANE Australia 2013). A survey shows 74% of consumersRead MoreStigma And Its Effects On Society Essay1666 Words   |  7 PagesThe term stigma was originally described by Goffman as a devalued or undesirable social attribute that arouses negative feelings and subsequently causes the individual to become side-lined or excluded from social relationships (Goffman, 1963). Stigma involves â€Å"exclusion, rejection, blame, or devaluation resulting from experience or reasonable anticipation of an adverse social judgment† because of a particular condition (Weiss and Ramakrishna, 2006 pg 536). According to Link and Phelan (2001) pgRead MoreGraded Unit Essay1445 Words   |  6 Pagesthan others and reminds her of when she was using drugs. It is well evidenced that people who have both; history of drug use and disease which can be sexually transmitted such is HCV, are likely to experience stigma and discrimination in their life (Gilman 1999).Stigma and discrimination are socioeconomic factors which have a damaging health, social and financial consequences (Nursing Standard 2008). It is believed that those who are stigmatised and discriminated are more likely to have a lowerRead MoreThe Stigma of Madness Essay1661 Words   |  7 PagesMany people hold opposing views when it comes to defining what madness is and their attitudes towards it, which in turn makes the labelling of madness to become problematic. According to Foucault madness is ‘a complex social phenomenon’ (Foucault, 2001), suggesting that different definitions relate to particular periods in history and that the classical period represented a key moment in time when attitudes towards madness shifted (SparkNotes Editors, n.d). Madness is define d in various different

My Interview Is The Mother Of Two And Is Pregnant With Her...

My interview is with a very close of mine her name is Diane. Diane is the mother of two and is currently pregnant with her third child. I asked Diane to please explain to me what were the difficulties and her experiences with her first pregnancy? Diane expressed that she was exceptionally young when she had her first child. She had morning sickness consistently for the initial three months. It was very difficult for her to continue her education since she was so sick. Diane decided to drop out of high school till she brought forth her child. She experienced transportation issues to travel back and forth to her appointment. I inquired if she encountered any other experiences or complications? Was she moody, happy or sad during her pregnancy? Diane expressed that she was truly terrified and stressed all through the entire pregnancy as she had no support from the baby’s father. Likewise, her parents gave her a really hard time because she was so young and pregnant. They made her feel very uncomfortable as if she did something wrong. Through her entire pregnancy, she was depressed and very anxious. She expressed to me that she felt extremely relieved once she gave birth since she realized that the baby would love her and she would care for the baby. I inquired whether she was able to speak to a counselor regarding her depression during her pregnancy? She expressed that the health center where she was being treated gave her the support that she needed to feel more at ease withShow MoreRelatedPregnancy Is An Event Of A Woman Life That Brings Pure Joy And Excitement1520 Words   |  7 Pagespregnancy her body is physically changing, along with a cascade of emotions. Every pregnancy in a woman’s life is highly individualized. Pregnancy can range from completely normal to various complication, both maternal and fetal complications. The patient I interviewed gave birth to a healthy baby girl, and she couldn’t be more excited. She had a wonderful bi rthing experience, this was her 3rd child and she agreed that all of her pregnancies were completely different. When I interviewed my patientRead MoreMy Mother Has Had Three Pregnancies Essay1402 Words   |  6 PagesAlice Silveira, my mother has had three pregnancies. Her eldest is a boy, who is almost twenty-three, her middle child is a girl, who is nineteen, and her youngest boy is seventeen. I will be discussing her last pregnancy, which was with my brother, Izake, the now seventeen-year-old. During this pregnancy, she had numerous complications and she believed that it was far from a typical, â€Å"healthy† pregnancy. One day while washing the dishes, she suddenly stopped and had the urge to eat green fruit.Read MoreBirth Control And Educational Programs1430 Words   |  6 Pagesyoung parents as early as fifteen years old. In 2014, approximately 24 young women out of a thousand got pregnant from the ages of 15-19. 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Enrique faced gangsters, bandits and corrupt police officers when he was in the train called â€Å"El Tren de la Muerte†. The only thing that he was carrying was his mother’s phone number. But Enrique never gave up. Enrique’s courage, hope and help from strangers make him achieved his goal†¦ meet with his mother. Summary Enrique’s Journey chronicles the lifeRead MoreThe Charity Bowery By Lydia Maria Child1650 Words   |  7 PagesCharity Bowery by Lydia Maria Child, Child is retelling a story of an aged colored woman, Charity Bowery, from New York. In Bowery’s story she says, â€Å"Sixteen children I’ve had, first and last; and twelve I’ve nursed for my mistress. From the time my first baby was born, I always set my heart upon buying freedom for some of my children. I thought it was of more consequence to them than to me; for I was old, and used to being a slave. But mistress McKinley wouldn’t let me have my children. One after another

Volgograd, Ohio Essay Example For Students

Volgograd, Ohio Essay On June 13, the New Experimental Theatre of Volgograd, Russia, opens a Russian-language version of A Streetcar Named Desire at the Cleveland Play House. By then, the Milwaukee Repertory Theater will have just closed a revival of Our Town at the Omsk State Drama Theatre in Siberia. At the joint behest of the Royal Shakespeare Company and the Moscow Arts Theatre, playwright Richard Nelson and his Russian partner Alexander Gehlman will be in the midst of final rewrites on their collaborative piece about the attempted Moscow coup that almost toppled perestroika. And Bob Leonard of the Road Company in Johnson City, Tenn. will probably be still wishing he had enough money to propel him and his small theatre expeditiously to Ufa Bashkiria, where they have recently been invited to perform. These days, it seems that press releases for almost every regional theatre in the country sport headlines about the coming and going of Russians. Local news cameras in numerous cities follow amazed Russian actors around American department stores as they nervously clutch gift certificates from their publicity-hungry sponsors. Local critics on the theatre beat keep interpreters busy as they write a succession of similar articles about the differences between over there and over here. In an Americans Russia, it seems, huge companies of dedicated but inflexible actors have jobs for life, respect their totalitarian directors (except when theyve left town) and fill their massive theatres with young people paying affordable prices. Promised accommodations for worried visiting Americans may or may not materialize. In a Russians America, there is double casting out of New York, corporate sponsorship, computerized equipment, aging subscribers and perhaps a few more empty seats. But the food, hotel rooms and shopping are great. Even in the most frozen days of the cold war, artists from the former Soviet Union were trickling over to American regional theatres. Back in 1977, Galina Volchek of the Sovremennik Theatre of Moscow came to Houston to stage Mikhail Roschins Echelon with American actors. Her visit to the Alley Theatre, which enjoyed the backing of the Soviet Ministry of Culture, marked the first time a Russian had been invited to a regional theatre to stage a play precisely as it had previously appeared in the Soviet Union. But it was the signing of the General Exchanges agreement in 1985 that brought about the first major wave of joint theatrical endeavors with the former U.S.S.R. Mark Lamos of Hartford Stage Company became the first American to direct an American play in the Soviet Union when he helmed Desire Under the Elms at Moscows Pushkin Theatre in 1986, becoming a serious Russian celebrity in the process. The Pushkins Yuri Yeremihn returned the favor by directing a highly visible production of Alexsandr Chervinskys The Paper Gramophone at Hartford Stage in early 1989. Assorted American international theatre festivals invited Russians to participate in the late 80s, and other directors (including Nagle Jackson and Des McAnuff) followed Lamoss trek eastwards. Now that the last vestiges of political opposition have completely disintegrated, the scale of exchanges in the 90s has become much larger. The Alleys 1990 production of Whos Afraid of Virginia Woolf? played in Lithuania and at the Maly Theatre in what is now St. Petersburg. Around 50 actors from Omsk came all the way to Wisconsin to present Yuri Kims Moscow Kitchens last fall, bringing in $70,000 in single-ticket sales in a one-week stand at Milwaukees Pabst Theatre. And 30-odd Russians will be in Cleveland for three weeks in June presenting Nikolai Erdmans long-censored farce The Suicide, as well as Play House artistic director Josephine Abadys direct-from-Volgograd staging of Streetcar to Ohioans who have been told to expect the least Brandoesque Stanley imaginable. .u2564e24dca2a1c729eecb380f54bbbe5 , .u2564e24dca2a1c729eecb380f54bbbe5 .postImageUrl , .u2564e24dca2a1c729eecb380f54bbbe5 .centered-text-area { min-height: 80px; position: relative; } .u2564e24dca2a1c729eecb380f54bbbe5 , .u2564e24dca2a1c729eecb380f54bbbe5:hover , .u2564e24dca2a1c729eecb380f54bbbe5:visited , .u2564e24dca2a1c729eecb380f54bbbe5:active { border:0!important; } .u2564e24dca2a1c729eecb380f54bbbe5 .clearfix:after { content: ""; display: table; clear: both; } .u2564e24dca2a1c729eecb380f54bbbe5 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u2564e24dca2a1c729eecb380f54bbbe5:active , .u2564e24dca2a1c729eecb380f54bbbe5:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u2564e24dca2a1c729eecb380f54bbbe5 .centered-text-area { width: 100%; position: relative ; } .u2564e24dca2a1c729eecb380f54bbbe5 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u2564e24dca2a1c729eecb380f54bbbe5 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u2564e24dca2a1c729eecb380f54bbbe5 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u2564e24dca2a1c729eecb380f54bbbe5:hover .ctaButton { background-color: #34495E!important; } .u2564e24dca2a1c729eecb380f54bbbe5 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u2564e24dca2a1c729eecb380f54bbbe5 .u2564e24dca2a1c729eecb380f54bbbe5-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u2564e24dca2a1c729eecb380f54bbbe5:after { content: ""; display: block; clear: both; } READ: The rehearsal of Martin Guerre EssayEspecially now that everyone seems to be doing it, what do such expensive exchanges achieve beyond impressive P.R.? These financially strapped times, after all, find many American theatres struggling to make operating costs, and Russian theatres worrying who or what will replace the government subsidies that have, by most accounts, all but dried up. Are there alternatives to simply swapping productions? The International Theatre Institutes Martha Coigney argues that these traumatic times in the Eastern bloc are making theatres there fragile, and the real challenge for Americans is to offer aid while staying afloat themselves. The former Soviet theatres are bereft; they are facing whole different ways of working, she says. I get desolate when I think that the U.S. is not going to pay attention. Coigney finds it ironic that American exchanges are so popular with Russian theatres, when they probably should be looking to Western Europe. Other Americans share her discomfort at their country being used as a shining example of how to treat the theatre. We have the most unenlightened cultural policies on the globe, says Philip Arnoult of the Baltimore Theatre Project. What do we have to tell the Russians other than that they are looking too far west? Larry Sacharow of Woodstock, N.Y.s River Arts Repertory concurs: We should definitely not be a cultural model. That does not mean, however, that exchanges have no value. For one thing, American companies find them surprisingly fundable. Milwaukee has persuaded a slew of corporations to help support its visit to Siberia. And Clevelands Abady, who has found it difficult to persuade local corporations to finance the Play Houses regular offerings, had little trouble signing people up for a visible project like the Volgograd exchange. One attribute that most American regional theatres have aplenty is management expertise, and there is considerable interest in exchanging management ideas with newly needy Russian theatres, instead of just productions. Last fall, 10 directors from ex-Soviet countries toured Tennessee theatres including the Road Company. Anton German, business manager of the Maly Theatre, spent time at the Alley last December, picking Texas brains. Led by Milwaukees Sara OConnor, NEA Theater Program head Ben Cameron and administrators from San Diegos Old Globe, the Manhattan Theatre Club and the Philadelphia Drama Guild found their way to Siberia the same month to discuss issues of repertoire, community relations, employment practices and styles of management. OConnor says the gathering was the first such conference originated not by the White House or Kremlin, but by working theatre people trying to solve problems. Americas theatres have also been exploring how new Russian writers can be encouraged. According to Otar Djangisherashvili of Volgograd, the disruptive effect of the political collapse is decimating the repertoire, which is why he is bringing a 1928 play to Cleveland. Writers who used to conform to the system have experienced utter death, he says through an interpreter. New writers are still in search of their footing. Sacharow has launched a project that aims to provide precisely that, using funding from the USIA and the Trust for Mutual Understanding. The director has paired American playwrights like Len Jenkin and Emily Mann with Russian writers with similar interests, in the hope that the scribes will adapt each others plays and provide mutual encouragement. The grant provides for each writer in the scheme to travel to the others country, once each. Sacharow is anxious to help the Russian theatres make the transition from living underground newspaper to commentator on the brave new world. He expects the benefits to be mutual. Weve got a lot to learn from the Russians in terms of their sense of theatre from the heart, he says. And its a lot easier to get a new play produced over there than it is here. .u8bdf5fab81bb30d7d82a9c4701c3bcd0 , .u8bdf5fab81bb30d7d82a9c4701c3bcd0 .postImageUrl , .u8bdf5fab81bb30d7d82a9c4701c3bcd0 .centered-text-area { min-height: 80px; position: relative; } .u8bdf5fab81bb30d7d82a9c4701c3bcd0 , .u8bdf5fab81bb30d7d82a9c4701c3bcd0:hover , .u8bdf5fab81bb30d7d82a9c4701c3bcd0:visited , .u8bdf5fab81bb30d7d82a9c4701c3bcd0:active { border:0!important; } .u8bdf5fab81bb30d7d82a9c4701c3bcd0 .clearfix:after { content: ""; display: table; clear: both; } .u8bdf5fab81bb30d7d82a9c4701c3bcd0 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u8bdf5fab81bb30d7d82a9c4701c3bcd0:active , .u8bdf5fab81bb30d7d82a9c4701c3bcd0:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u8bdf5fab81bb30d7d82a9c4701c3bcd0 .centered-text-area { width: 100%; position: relative ; } .u8bdf5fab81bb30d7d82a9c4701c3bcd0 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u8bdf5fab81bb30d7d82a9c4701c3bcd0 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u8bdf5fab81bb30d7d82a9c4701c3bcd0 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u8bdf5fab81bb30d7d82a9c4701c3bcd0:hover .ctaButton { background-color: #34495E!important; } .u8bdf5fab81bb30d7d82a9c4701c3bcd0 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u8bdf5fab81bb30d7d82a9c4701c3bcd0 .u8bdf5fab81bb30d7d82a9c4701c3bcd0-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u8bdf5fab81bb30d7d82a9c4701c3bcd0:after { content: ""; display: block; clear: both; } READ: Reynolds Price: on writing for performance EssayThe Cleveland and Volgograd exchange has been dubbed Full Circle, as it will mark the first Russian theatre production directed by an American to be produced back in the U.S. The same two words are perhaps an apt description of the present state of Russian theatre, as it suffers the pain of reinventing itself and persuading what Djangisherashvili calls the rising entrepreneurial class that the art form is worthy of its full support. If it is successful, there will be a lot to tell envious Americans on future visits. For now, Abady is adamant that full-scale exchanges are more important than ever. They point out to the governm ent of Russia the ability of the arts to create commerce, she says. And they show our government that the arts can be a leader.

Top 15 Universities for Communications Major by Salary Potential

Communication is a strong and much desired field in the workforce, but not very many students think to major in the subject. Communications is a broad term that covers public relations, crisis management, marketing, strategy, and even journalism. There are many job prospects that students can go into if they choose to study communications for the undergraduate degree. It may come down to the fact that not all universities offer the major, like Yale, Princeton and Georgetown for example. Many universities offer similar fields of study like journalism and media studies instead. So, if communication sounds like something you can potentially be interested in, do your research and find out what universities off it in their departments and which do not. PayScale, an online compensation information company, published their findings earlier this year and here’s a list of the top 15 university for communications major* by potential salary: *Note, this list do not include the salaries of individuals who pursued another degree after their undergraduate degree in computer science. 1. University of California - Berkeley 0-5 years experience: $59,800 10+ experience: $120,000 2. New York University 0-5 years experience: $49,100 10+ experience: $107,000 3. San Jose State University 0-5 years experience: $56,400 10+ experience: $105,000 4. Boston College 0-5 years experience: $54,500 10+ experience: $99,400 5. Ithaca College 0-5 years experience: $54,800 10+ experience: $98,800 6. University of California - Santa Barbara 0-5 years experience: $49,100 10+ experience: $94,800 7. University of Washington 0-5 years experience: $48,900 10+ experience: $93,900 8. Syracuse University 0-5 years experience: $49,000 10+ experience: $93,700 9. Fashion Institute of Technology - NY 0-5 years experience: $45,700 10+ experience: $93,300 10. Northern Arizona University 0-5 years experience: $40,100 10+ experience: $93,000 11. University of Southern California 0-5 years experience: $49,300 10+ experience: $92,700 12. University of Cincinnati 0-5 years experience: $39,400 10+ experience: $43,400 13. Brigham Young University 0-5 years experience: $43,400 10+ experience: $89,500 14. University of Texas - Austin 0-5 years experience: $44,900 10+ experience: $89,400 15. James Madison University 0-5 years experience: $54,100 10+ experience: $92,000 Not sure if you want to study computer science yet? Do some research and browse our database of 60,000+successful college application filesto see what students similar to you are studying!